The first major stage adaptation of Neil Gaiman’s work, this fantasy novel is ‘brought to thrilling life’ (The Times) in a modern myth, where the power of imagination and storytelling transports audiences on a spellbinding and spectacular adventure. The play is Based on the best-selling novel by Neil Gaiman, (Coraline, Good Omens, Stardust and the Sandman series, soon to be a major new Netflix series), adapted by Joel Horwood and directed by Katy Rudd.
The Ocean at the End of the Lane introduces audiences to Gaiman’s magical world and the much-loved characters that inhabit it, showcasing the production’s stunning set design by Fly Davis, costume and puppet design by Samuel Wyer. Movement direction is by Steven Hoggett, composition by Jherek Bischoff, lighting design by Paule Constable, sound design by Ian Dickinson, magic and illusions direction and design by Jamie Harrison and puppetry direction by Finn Caldwell. Casting to be confirmed.
Returning to his childhood home, a man finds himself standing beside the duck pond of the old Sussex farmhouse where he used to play. He’s transported to his 12th birthday, spring half term. When his dad was struggling to make ends meet and his friend Lettie claimed it wasn’t a pond, but an ocean…
Plunged into a magical world, the children’s survival depends on their ability to reckon with dark, ancient forces that threaten to destroy everything around them. The story is simple and the most impressive above all is the fact that the theatre is transformed in a fantastical playground full of monsters and magic. This is probably one of the bet shows of the year and the visual effects that take place in front of your eyes will leave you thrilled and mesmerised.
Tickets are available via oceanwestend.com
About the National Theatre
The National Theatre’s mission is to make world class theatre that’s entertaining, challenging and inspiring – and to make it for everyone. It aims to reach the widest possible audience and to be as inclusive, diverse and national as possible with a broad range of productions that play in London, on tour around the UK, on Broadway and across the globe. The National Theatre’s extensive UK-wide learning and participation programme supports young people and schools through performance and writing programmes like Connections, New Views and Let’s Play, while Public Acts creates ambitious new works of participatory theatre in sustained partnership with theatres and community organisations around the country. The National Theatre extends its reach through digital programmes including NT Live, which broadcasts some of the best of British theatre to over 2,500 venues in 65 countries, the National Theatre Collection, which makes recordings of shows available to UK schools and the global education sector, and now National Theatre at Home. The National Theatre invests in the future of theatre by developing talent, creating bold new work and building audiences, partnering with a range of UK theatres and theatre companies.